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Description: A lovable scoundrel is busted for gambling and thrown into jail, where he dreams of playing poker - but even in his dreams, he loses.
Director: Bert Williams
Writer: Bert Williams
Stars: Bert Williams, Wes Jenkins
Our story centers upon the activities of a Negro fraternal organization, the Independent Order of Calcimine Artists of America. [Inside joke: "calcimine" is whitewash, and yet most of these black actors appear to have darkened their complexions with blackface makeup.] The group meets in the back of a saloon. Their leader, Brother Scott, is a lawyer who disapproves of gambling-- although, after breaking up a poker game, he doesn't object to appropriating others' winnings. Our protagonist is lodge member Bert Williams, described as a "walking delegate," who is clearly in arrears with both the saloon's barkeep, Hostetter Johnson, and with the lodge itself. Early on, he is compelled to remit the dues he owes (three dollars), which he does reluctantly. [Some prints of the film omit the next sequence: After leaving a meeting with his friend Limpy Jones, who is handicapped with gout and must ride on Bert's shoulders, Bert passes a graveyard where he overhears two chicken thieves splitting up. |
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Clip #: SF-8B
Length: 22:44
Year: 1916
Color: B/W
Sound: Silent
Library: TFA Network
Decade: 1910s
Subject: Gambling
Original: 35mm
Keywords:
1910s, 1916, silent film, comedy, Bert Williams, black actors, blackface, saloon, gambling, poker
Notes:
A Natural Born Gambler is a 1916 silent film short, the first of only two films starring Broadway comic and singer Bert Williams. The film was Williams' first two-reel comedy, and was a film that was expected not to disappoint audiences and was highly anticipated. It was produced by the Biograph Company and released by The General Film Company. Williams directed and G. W. Bitzer, also known as Billy Bitzer, who was usually D. W. Griffith's cameraman, was the cinematographer. This is a still-surviving film, featuring Williams in his famous blackface routine. It is an authentic comedic film for its time (1916) in which Williams is still humorous without heavily relying on the popular physical style of slapstick comedy. Special and strategic advertising along with the name Williams had created for himself made it possible for the film to get exposure throughout the country. Most of this exposure came from newspaper prints
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